Naked Poems
https://mail.google.com/mail/ca/u/1/?shva=1#inbox/13db157a93638913
Naked Poems
All poems and other forms of writing contained herein are copyrighted by the author, Kay Alicia Fisher, and may not be appropriated in any way without the author's expressed permission.
Friday, March 29, 2013
I will be giving a reading at The USM bookstore in Portland, Maine at 7pm on April 9. Honorably, I will be reading alongside former poet laureate of Maine Betsy Sholl. Also reading will be distinguished Maine poets Shana Young and Dawn Potter. Please join us for an evening of riveting, diverse voices. Refreshments will be served. Please see the MWPA website for more information, under "Events." https://mail.google.com/mail/ca/u/1/?shva=1#inbox/13db157a93638913
Monday, February 11, 2013
On the 50th anniversary of Sylvia Plath's death, and on Living
Today is all stiffening,
glistening plow-made labyrinths and chapping whiteout gusts. Can you feel it,
the feather weight of my heart? Its hot beat travels against frigid winds. One
hears the shrieks of delighted children; one is stalked by a draft at
the typewriter, in the incense-fogged kitchen. Our old house creaks and sighs,
leans heavily on its ancient foundation. Me? I am scalding black tea swirling
honey, I am piles of poems and a black patchouli-scented wrap. I am cotton
summer dresses and July daydreams.
Sylvia Plath? She would be in her 80th year. One can only pay homage in poems and ink, and by Living. Here is one poem that I internalized long long ago. I dedicate it to Kobi, whom I achingly miss: she was also intimate with this severely tender piece. Your words, KL (because words _are_ insular little selves), still buzz and rummage in my ear.
Sylvia Plath? She would be in her 80th year. One can only pay homage in poems and ink, and by Living. Here is one poem that I internalized long long ago. I dedicate it to Kobi, whom I achingly miss: she was also intimate with this severely tender piece. Your words, KL (because words _are_ insular little selves), still buzz and rummage in my ear.
Morning Song
Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.
I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.
All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square
Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.
Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.
I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.
All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square
Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.
Sylvia Plath
Wednesday, January 30, 2013
Pen Pal
Tall grass
slaps and sticks. Up, you know, the sky is ivory. Down
the
indelible hurt of feet. All’s well that ends
in theory.
Melissa, where did you arrive from and how? I could go
poetic and
say your apple cheeks, your humid curls, your filibuster smile and though
these do
describe your effect I have dropped or misplaced or drowned
the words
for wild, my wild tender friend. The road to you is protracted and unmapped.
O the savage
inkloop
of your hand,
your pen like a fever whisper.
I open the envelope (you licked
it) and there your inksong,
your smudgy secrets. Where did I, do I, put
them when I’m done? Your last word is
an
infinitesimal death.
Maybe in the
freezer. I was like that when I was pregnant
with my son:
an absentia so complete and grief-laced as to carry you away, misplaced.
Have I frozen
the words for lost, my sister; sister taken? I trace
the baroque loops,
the stiff black lines
in your lilac-scented
letters. I am your debtor, your loose-limbed dreamer.
I imagine the
babble out your northside window
where egrets
dip for fish. A beaky congregate
of grey-white
feathers beating, I am lost,
beating at
the water. Do you hear their echo?
I am lost. I am lost.
Friday, January 25, 2013
Featuring at 3-2-1 slam this Sunday!
Don't forget! This is going to be a bold, electric event. You won't be sorry you left the warmth of your cave, I promise. Tea time 5thirty, then workshop, and THEN: fantastic poets abound! I'm the feature, sure, but certainly not the only highlight.
Yours,
Kay Alicia
Yours,
Kay Alicia
Wednesday, October 24, 2012
The Coming and Going
I
To the lean lime grass, bent in the light—I surrender.
and the rough-throated oak telling me white in the winter ---yes.
The swandip of your neck: arrogance or humiliation?---either.
My own stilted dreams, meat and milk---ether.
We will someday call across the deathroom
for a husband, a lover, and will be met
with tears and halting sighs, remembering
with tears and halting sighs, remembering
the back room between stacked boxes.
Summer thighs surrender.
Summer thighs surrender.
II
The salty wash of tongues, our seashell fragrance.
(That was before death.) We grieve ahead—yes.
And that dank back room,
finally together ---fumbling cannibals,
murmured incantations: loadseed
and your midnight sobbing, my blue
goodwill pills. God, and our letters, look,
written with such greedy care!
Ink and wine and paper. I can’t believe you’re gone, you’re---here.
Alicia Fisher
2012
Published in Ravenous Butterfly's online journal, January 2013
Published in Ravenous Butterfly's online journal, January 2013
Monday, August 6, 2012
Juried into The Belfast Poetry Fest: YES!! (See first "team" on list).
The selection jury for this year’s Belfast Poetry Festival has met and reviewed submissions, and is pleased to announce the lineup for this year’s festival. In no particular order, the twelve teams presenting at this year’s feature event, “The Poem to Behold,” are as follows:
Alicia Fisher and self
Jefferson Navicky and Carrie Scanga
Lee Sharkey and Joan Braun
Carolyn Gelland and Julieanne Reed
Valerie Lawson and Michael Brown
The Poet Rising Collective
Carol Bachofner and self
Margaret Weston and self
Maryjean Crowe and Elizabeth Garber
Rachel Contreni Flynn and Lucy Ellen Smith
Barbaria Maria and Kathryn Robyn
Elizabeth Tibbetts and Robert Shetterly
"...in case anyone missed it, we’ve changed the format for this year’s event. Rather than a gallery walk, this year’s festival will take place at a single venue and will feature a fast-paced, live multimedia show of poems and images, along with a Pecha-Kucha inspired mix & mingle. The festival draws a devoted crowd of poets and artists from across the state and New England, so, regardless of one’s position in this year’s event—whether showcased or supporting—please treat this as an opportunity to make connections, share ideas, and join a lively dialogue about the presence and the possibilities of art...."
Stay tuned at BelfastPoetry.com
Looking forward to seeing you all in the fall!
Jacob Fricke
Belfast Poetry Festival Steering Committee
Here's the link: http://www.maineartscene.com/component/option,com_eventlist/Itemid,/did,1545/func,details/
Details to follow. Show on Sept. 13
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